Showing posts with label Hip Hop Producer. Show all posts
Showing posts with label Hip Hop Producer. Show all posts

Friday, March 19, 2010

SXSW 2010 Beat Society Showcase Austin, TX This Saturday!


Featured producers: DJ Babu, Marco Polo, Oddisee, Kev Brown, and The Are.

Performers: Dice Raw, Diamond District, and Torae

Hosts: DJ Rhettmatic and Peter Rosenberg

Beat Society
Saturday, March 20th
Doors Open @ 1PM/ Event Starts 3PM
Free Admission

Submerged
333 East 2nd Street
Austin, TX

Tuesday, March 2, 2010

Hip Hop Producer Groove Chambers Tells The Storys Behind The Hits From The Studio



After producing and writing 10 joints from the Nappy Roots debut album, Watermelon, Chicken & Grits; the Lip Gloss (Lil Mama) producer Groove Chambers has blessed the mic with "In The Bag". Now he lets you into his world and tells his story via this interview..... enjoy!!!!

(video courtesy of Tree Leaf Music)

Saturday, February 20, 2010

DJ Premier Interview At NBA All-Star Weekend Dallas



As reported by Sherron Shabazz at the Examiner

Examiner: What has All-Star Weekend been like for you so far?

DJ Premier: It’s been really great. We just got here today. The funny thing is I’m from New York and we just got a little rough snow but I’m used to it. I shovel my own drive-way, I shovel the side walk, take care of all my neighbors, and make sure all the old ladies get their drive-ways shoveled and get taken care of with salt and all of that. I’m from Texas originally but I’ve been living in New York for 22 years. My sister lives out here and to come out to 9 inches of snow is funny. I’m used to 36 degrees but everybody out here is panicking, flights were cancelled and all of that. We made it here safely.

Big shout out to 944 [magazine] for having us out here, we appreciate it. Shout out to The Boardroom for having us, Russell Simmons, Melanie Fiona, Paul Pierce, Snoop Dogg, DJ Reflex, and Doug E. Fresh. It’s a beautiful thing to be out here. Shout out to Nick Javas who ripped it with me. He’s on my label Year Round Records. Also shout out to all the people that came through, Amare Stoudemire, LeBron James, Chris Tucker, Magic Johnson and also Allen Iverson who couldn’t be here who I’m a big fan of.

Examiner: I read that you were working with MC Eiht on his new album, how did that come about?

DJ Premier: We’ve been friends for a long time. I’ve known him since the 90’s; we came up in the same era. When the West Coast was strong with Death Row MC Eiht had his own lane—he also became an actor in the film Menace II Society. I did my first gig in L.A. in 1989 with Gangstarr, Compton’s Most Wanted, WC and the Maad Circle, and Ice Cube. This was when Ice Cube first left N.W.A. He got into a big beef backstage. All the action wasn’t out in the crowd it was backstage. It was crazy to witness that and see how many people were mad at Cube for moving and taking that step. It turned out to be one of the best moves that he made.

The first person I met in Long Beach at the show was MC Eiht. He had two beepers on his hip, a big fresh jheri curl, and black khaki’s. He said, “What’s up DJ Premier my name is MC Eiht,” and we’ve been friends ever since. I just love his style. He has a unique voice and a unique flow—he has his own lane. That’s what it’s all about, having your own lane. Everybody always wants to sound like everybody else but when you’re different you always prevail even if it takes a minute to get there. He never switched that up.

When I put out an artist named Blaq Poet on my label Year Round Record in June of 2009 we wanted to do a remix. Eiht and I were on the phone talking about new music he was working on and I let him hear the song and he loved it. He was like, “Yo let me get on it.” I let him get on it and then my man Young Maylay who’s down with Dub C [WC] and Crazy Toones who is also from the west coast let me hear his stuff and he’s a great MC. He’s going to be on my label too. I asked him to get on it too and he sent it to me in a day—done! I said let’s shoot a video because I was working with Christina Aguilera on her new album out in L.A. Gordon Franklin who runs my label said, “Yo I got some cheap tickets we can get. Let’s bring Poet, fly out to L.A., shoot the video, and go back to New York the next day.” I stayed out there and worked with Christina. I snuck away…she don’t even know I broke away. I’m going to get in trouble now. I broke away from a session that she’s paying me to be out there for to go and shoot the video with Poet, MC Eiht, and Maylay. It came out really good, it’s called “Ain’t Nuttin’ Changed.” Then they came to New York and did the show for our release party. We flew them up, put them in nice hotels, and took care of them—we’re old friends. I said you know what, we should do an album. Eiht gave me like 40 songs and he doesn’t know how to mix. He gave me like 40 songs all sparse and crazy but the beats and lyrics were dope. I said, “Yo man we could do two albums together! I’m gonna put you on my label and do a couple of one-offs.”

That’s what my label represents, pure Hip-Hop from the bottom up! You gotta start from the bottom and work your way up. Everybody now is so caught up on first week sales and soundscan. [Forget] soundscan and [forget] first week sales, it’s all about integrity and quality music. We care about our fans and we care about giving them their money’s worth. That pays more than a payola record. Paying for a record means you’re buying your friends. I don’t have to buy my friends to like me. I want you to like me because I’m real and I’m me. So all those other [expletives] let them pay for their records, we know that they don’t hold water next to what we do. I don’t care if they get 20 million spins they can’t stand next to us when we drop our [stuff]. Play yours then play mine—ours is better (laughs).

Examiner: Pete Rock is in town, I think 9th Wonder just left town…

DJ Premier: Family man…all family.

Examiner: I recently saw clips from the show that 9th did to honor you and Pete in North Carolina….

DJ Premier: Yeah man. That’s one of the dopest things I’ve ever experienced. To be honored…. Man I feel like I got so many more miles to go. I’ll be 44 years-old this year. The love that 9th Wonder gave me and Pete was so incredible. The band that played for us mimicking our records and sounding just like the beats we produced from out heart and soul, it was one of the biggest, dopest events ever in my lifetime. I love 9th Wonder, I love Pete. Big shout out to both of them.

Read the full DJ Premier interview here:
Examiner - Q & A With DJ Premier

Other sources:
DJ Premier blog
Live from Headqcourterz

Thursday, February 18, 2010

Nottz - 'Shine So Brite' (video)



Nottz forthcoming album 'You Need This Music' on Raw Koncept coming soon!

For more info about Nottz' project visit here:
Raw Koncept

Thursday, January 14, 2010

Kwame: Producer's New Upcoming Music Projects For 2010



Multi-platinum selling producer Kwame is best known for producing Lloyd Banks' break-out single "On Fire" and Will Smith's international smash "Switch," as well as successfully producing & contributing to records selling over 30 million copies worldwide. In 2010, Kwame is coming out swinging, working on projects with Keyshia Cole, Nicki Minaj, Maino, Red Cafe, and Short Dawg of Young Money.

Aside from production, Kwame will unveil his new boutique music group, Make Noise, featuring his debut artist, Beyond Belief from Rockaway, Queens. Be sure to check out Beyond Belief's new Kwame-produced single "Bigger Checks" featuring Bad Boy recording artist Red Cafe, available on iTunes now.

For more info about Kwame and his Make Noise website here:
Make Noise Live

Sunday, January 10, 2010

No I.D.: Music Producer Interview



via Hip Hop DX

HipHopDX: Did you expect 2009 to be quite as productive as it was for you?

No I.D.: No. [Laughs] I just didn’t expect it. I mean it didn’t surprise me but it definitely wasn’t what I was thinking. I didn’t plan it to go this way.

Hip Hop DX: Is that the art of a producer, to expect the unexpected?

No I.D.: I mean like I say, with 20 years in the industry, I don’t expect anything. It’s about staying creative.

Hip Hop DX: What would you pinpoint as the highlight of your year?

No I.D.: Now, honestly, it would be the success of "D.O.A." [by Jay-Z] on a critical level, as I haven’t felt that response since "I Used To Love H.E.R." [by Common].

Read the full interview here:
Hip Hop Dx - Producer's Corner: No I.D.

Tuesday, January 5, 2010

RZA: New iPhone App iDrum



via the Wall Street Journal

RZA has brought his beats to the iPhone App Store. The famed hip-hop producer and rapper from the Wu-Tang Clan has released a branded edition of iZotope’s popular iDrum application.

The iDrum app is a consumer version iZotope’s professional grade software. The application allows users to combine pre-recorded beats and loops to compose original music with much more control than was possible in previous music making programs. For CEO Mark Ethier, the iPhone edition of the software is meant to fill a niche between games like Guitar Hero and high-end audio-engineering programs, like ProTools.

Previous versions of the app allowed users to produce music in genres like rock or club music. iZotope also began partnering with established musicians, such as Depeche Mode and Ministry of Sound to use elements from their music. The RZA edition includes a mix of 17 new and classic beats that users can use as a foundation for their own creations.

For artists, the chance to release elements of music through iDrum presents an opportunity to promote their music in a new format and to increase sales at a time music business is struggling. Depeche Mode took advantage of the opportunity by releasing their version of iDrum along with their latest album.

RZA says that the benefits of releasing original loops to the public doesn’t have any obvious economic benefit for him, besides the contract he has with iZotope. He doesn’t have a new album out and isn’t putting together a concert tour. But he thinks that, “eventually it will all come back around” by introducing new people to his back catalog. RZA said that it took him and his engineer eight days to dig through old digital audio tapes and floppy disks and to create new sounds in his studio.

The app, which costs $4.99, was released in late November. Though iZotope wouldn’t say how many times it has been downloaded, the company says the RZA edition is its popular iDrum yet and is planning to partner with more artists in the future.

Friday, January 1, 2010

Shawty Redd Turns Himself Into Authorities After Homicide



via Hip Hop Wired & Z107.9 Hip Hop Cleveland

Hip-Hop producer Shawty Redd has turned himself into authorities after killing a man on New Years day in Henry County, Georgia.

According to reports, Shawty Redd got into an argument with another man at his residence and feared for his life when the victim was shot and killed.

Currently no bond has been issued for Shawty Redd, whose real name is Demetrius Stewart, as he awaits for arraignment.

Shawty Redd has produced numerous hits for Young Jeezy, Gucci Mane, 8 Ball & MJG and was responsible for Snoop Dogg’s hit “Sexual Eruption/ Sensual Seduction.”

Thursday, December 24, 2009

Myth Or Reality: Hip Hop Producer Nottz Remixes Susan Boyle?



via Hampton Roads & Vlad TV

No, seriously.

Nottz, the somewhat reclusive Norfolk-based producer who's done tracks for everyone from Dr. Dre, Kanye, Biggie and many more, has remixed Susan Boyle's "I Dream a Dream" and posted it on YouTube.

Now, us being only marginally interested in Boyle -- we don't really see why it's considered a big deal that a fugly lady can sing (have you never been to church?) -- we've always been kind of 'meh' about her and this song. But we must say, Nottz's sparse, snare and kick drum beat laid over the orchestral song make it sound pretty good. Really good, actually.

The only question is, why?

Perhaps Nottz was trying to send the message that he's so talented, he can take veritably any material and make it sound good.

Or maybe he was crunk off that egg nog and smoking on some mistletoe.

Child, I guess.

Thursday, December 17, 2009

Musician Chin Injeti Gets Big Name Production Credits w/DJ Khalil



via Vancouver's Straight.com

Local producer Chin Injeti and his L.A.–based partner, DJ Khalil, were responsible for some of the sounds on Til the Casket Drops by Clipse. In fact, the duo produced the first single from the new record, “Kinda Like a Big Deal”—which also features Kanye West. The team also scored a production credit for “Could’ve Been You” on 50 Cent’s Before I Self Destruct.

“It’s been an exciting year,” Injeti told the Straight, fresh from a trip to L.A. to put the finishing touches on his and Khalil’s album as the New Royales. “Khalil is signed to Aftermath Entertainment, so he’s quite an up-and-comer, and whenever we do something, it gets played. We’re synonymous with a certain sound.”

Wednesday, December 16, 2009

iStandard Celebrity Beat Battle Year End Finale w/DJ Green Lantern, Sean C and LV, Statik Selektah, Scram Jones & More

At last night's iStandard Producer Showcase - December NYC Edition held at Don Hill's 511 Greenwich St. @ Spring St. in New York, NY.













Learn more about iStandard and the schedule of upcoming events here:
iStandard

(much thanks to Fupro83 for the above video footage)

Wednesday, November 11, 2009

Stat Quo To Be First Release On Sha Money XL's New Label



In more new label venture news, Sha Money XL inks a deal with digital enterprise The Orchard. Stat Quo's long awaited 'Statlanta' will finally surface through Sha's Dream Big Ventures.

via XXL

Sha Money XL, former president of G-Unit Records, recently signed a multi-million dollar music and film distribution deal with The Orchard, launching Dream Big Ventures.

As it’s first project the new brand will debut the album Stantlanta from rapper Stat Quo. The first single for the project, “Freaky Girl,” was released today. They’re also working with DJ Whoo Kid and New Orleans’ Kidd Kidd.

“The first three projects coming out of Dream Big are very realistic reflections of the three stages an artist can find themselves in,” Sha Money explained in a statement, “established and successful, in-between labels or ready to take your career to the next level.”

Their Web site, Dream Big Ventures is also expected to service the music industry by acting as a Craigs List for up and coming artists.

Sha Money recently worked as associate producer on 50 Cent’s Before I Self-Destruct album and continues to co-manage Reflection Eternal who are expected to release an album early 2010.
(source)

Tuesday, November 10, 2009

Pete Rock & C. L. Smooth Perform At Rare London, UK Show Video & Photos Posted



Pete Rock & C. L. Smooth At London's Relentless Garage on Monday November 9.

Photos:
Rex Features

Fan shot footage below.





(video courtesy of GOMWB & mynameisaqute)

Monday, November 2, 2009

2009 iStandard Beat Battle In New York City



These are always fun to witness up and coming producers lay down their hottest beats in front of a distinctive crowd of tastemakers who understand and scrutinize every beat. J-Hatch and Don Denapoli of iStandard put together these beat battles that happen all around the country through out the year.

Learn more about iStandard Beat Battles and more for up and coming producers here:
iStandard website

Thursday, September 10, 2009

Lil Jon: 'Crunk Rock' Out November 24



via billboard

Lil Jon is acutely aware that he has kept fans waiting five years for "Crunk Rock," the followup to his 2004 album, "Crunk Juice." But now that the release is finally close to seeing the light of day, he is promising to pull out all the stops.

"This album has all the Lil Jons you've ever heard," the rapper/producer tells Billboard.com. "From the crunk Lil Jon, to the Usher-like Lil Jon, to the electro Lil Jon who's hanging with LMFAO. I've got to touch all my fans."

"Crunk Rock" is slated for a Nov. 24 release on Universal Republic, and the first single, "Give It All U Got," leaked online last week. Produced by RedOne (Lady GaGa, Sean Kingston) and featuring newcomer Kee, the song finds the hyperkinetic rapper ordering "ladies to the dance floor" and telling everyone to "drink it up, full throttle/Fiesta like there's no tomorrow."

read more here:
Billboard - Lil Jon Going Global With 'Crunk Rock'

Monday, September 7, 2009

Interview With Producer Nottz



Nottz is one of the few producers who offers something different every time he gets behind the boards. Whether it's a track with mainstream hip hop artists like Snoop Dogg, Kanye West or Busta Rhymes or underground artists like Skyzoo or Termanology, he always manages to give dope productions with a true signature sound that only the Nottz can provide.

via Hip Hop DX

HipHopDX: You are working on your own album right now, how close to completion is that? How important is time management when working on something of your own?

Nottz: Well I am just waiting on a couple of tracks, so maybe another week or two. Time management hasn’t really been a problem really, as I am here in the studio everyday, all day. It helps me out working with people who have different styles when it comes to working on my project you know. Being that I am just getting my first album out, I get to venture off to work with lots of different sounds. Let’s say I am working on a project with Snoop, maybe I would bring a lil west coast vibe to the project because of that and it might encourage me to put a song on there like that.

Hip Hop DX: When working in the studio with artists on their projects and then going in and doing your own stuff, is it the musician within you that allows you to adapt, as some people have commented that at times it can be quite hard?

Nottz: No. [Laughs] It is real easy. I do this every day.

Hip Hop DX: Do you experiment more when it is your own stuff?

Nottz: Oh yeah. Definitely. Especially with the basslines. Now I am doing my bass lines like I used to do them in the '90s. I branched out a little bit, but now I am trying to go back to that Busta Rhymes era.

Read more of the article here:
Hip Hop DX

Monday, May 18, 2009