Sean Garrett Talks With American Songwriter Mag

AS: You’re earned the nick name of “The Pen.” Do you actually write with pen and paper?

SG: Generally I don’t. Generally I don’t write with paper, I just go in the booth and start singing and record. It’s very seldom that I’ll write with paper, but Jay-Z named me “the pen,” so sometimes I have to use the paper. [laughs]

AS: What’s your songwriting process is like?

SG: It’s a very emotional type of process, depending on what my mood was like at the time has a whole lot do with where I come from with the music. Most of the time I’m in a loving mood, but if I’m feeling aggressive, if people have been pissing me off, then I’m going to make up tempos and make people dance. I love to make people dance, it’s how I take the energy if somebody gets me a little upset, or if I feel challenged or something like that — then I go in and really take time to find a really incredible up tempo beat and make a really great up tempo club record. I take all the emotions of negativity and turn it into something positive.

AS: When you’re writing, what do you draw inspiration from?

SG: I draw from love, I draw from different people’s relationships, I draw from the things that I see. Sometimes it’s the things that I feel, and sometimes its the things that I think, and my songs are basically a perspective of something that I’ve seen and I give my opinion of it in the song.

AS: For your sophomore release, you’ve got this upcoming album, Courtesy Of.

SG: Courtesy Of is coming later on this year, right now we’re putting out my mixtape album which is called The Ink Well, it comes out and I’m really, really excited about it, it’s got a crazy amount of great features on it– Lil’ Wayne, Drake, Nicki Minaj, Yo Gotti, Bun B, Soulja Boy, Fabolous, and it’s hosted by my man DJ Green Lantern, it’s ridiculous, so I’m really excited about that. The Courtesy Of album is on the way as well, coming later this year. I’ve got a lot coming out, I’m doing a lot internationally as well, so I’m really excited.

Read The Full Interview Here

Raekwon: 'Wu-Massacre' Entertainment Weekly Interview

Entertainment Weekly: Moving on to this album you’re doing with Meth and Ghost, Wu-Massacre, when did you start working on that?

Raekwon: I’d say probably four or five months ago. We just wanted to make another album that really represents our brand, which is the W. When you think of Wu-Tang, we’ve been in the business for damn near almost, what, 17 years? We just want to make sure that people still know that we didn’t go nowhere — musically, passionately about hip-hop. When you get records like this, it helps keep the W flag up high. You know what I mean? Like the American flag. We gotta take care of that flag.

Entertainment Weekly: How did you decide to make an album with those two guys specifically?

Raekwon: It was something that was going to happen sooner or later. Us three, we always work good together throughout the years. On a lot of records, me, Ghost, and Meth was always next to each other. If you look at [the Wu-Tang Clan] as being the Lakers, we are the MVPs of the team. We are the ones that everybody may feel like takes us to the championship. Everybody else is going to play their position, but these three are definitely going to have to control the ball at some point. This is what the fans been wanting, man…You know, I work for the fans.

Entertainment Weekly: From your perspective, what do you three bring to a project? How do you balance each other out?

Raekwon: When we get together, it’s a lot of energy in the building, because everybody knows Meth, Rae, and Ghost for being super-lyrical, but still got that great character inside their rhymes. I guess that’s why people really is excited about this record. They’re saying, “Yo, these dudes put the Wu where they need to be at.” I don’t look at it like that. I look at us all as being one, still. I understand some may have a little bit more special gift than others, but it’s still a team effort. I love to get on tracks with brothers like Inspectah Deck, Masta Killa, the GZA. The whole crew is golden, man. When you think of us, you gotta say, “Yo, these are the Jacksons of hip-hop.” But for me to get in a room with Meth and Ghost and do an album, it’s serious to me. I know it’s going to be a lot of lyrics in there, it’s going to be a lot of great energy, stories. We all master these different departments of rhyming. So you’re just going to get a great album.

Which producers did you work with on Wu-Massacre?

Raekwon: Being that everyone was so spread out, we didn’t really get a chance to be hands-on on everything. You’ve got Meth doing a movie, you’ve got Ghost over here super-touring, you’ve got me just dropped an album, having to move around. So we did a lot of phone tag. But we did get [some opportunities] to sit around and vibe out. As far as the producers on the album, they did their thing as well. Shout out Pete Rock. Shout out everybody, man. Cats realize that hip-hop is going back to its beats and rhymes format again. Everybody came in and did their part. It’s just about staying busy. If you look at this as a sport, we gotta stay in practice, man: Stay going to practice, stay looking at the tapes, stay looking at the things that you may have done wrong and learn from them. That’s what we did. We came together to make another great album and keep that flag alive.

Read the full interview here:
Entertainment Weekly - Raekwon: The Music Mix Q&A

Jay-Z: Exceprts From Interview Magazine's Feature Interview

From the February issue of Interview Magazine interview feature with Jay-Z by Elvis Mitchell

ELVIS MITCHELL: Would you have ever thought there would be a time where you could have a song like “Empire State of Mind” blow up the way it has, and, yet, there aren’t any record stores around any more? Isn’t it strange that we got to this point?

JAY-Z: It’s horrible. I mean, you didn’t foresee this specifically, but you knew something would happen because whenever people reject change, things change for them anyhow. I think that’s what happened to the record business when Napster came around. The industry rejected what was happening instead of accepting it as change. Here we are today, more than a decade later, and we still haven’t figured it out.

MITCHELL: Well, it still speaks to the power of music that something like “Empire State of Mind” can pop like that. There’s still an appetite for it.

JAY-Z: Well, I don’t think the appetite is the problem. I think the consumption of music is at an all-time high. But I think the ways that record companies are trying to monetize it is just all over the place. At the end of the day, music is in the clouds. That’s where it’s at now. Before, you could hold it, look at it, turn it around. Now, it’s just in the air. That’s where it’s gonna wind up. You won’t need a shelf or a wall unit like my mom and pop had with all these big-ass records. You’ll just need your phone to call it up.

MITCHELL: I’m sorry, I’ve gotta stop you here. You must hear this all the time, but whenever you say something that’s a phrase from one of your songs . . . When you said “all-time high,” I just went right to “Numb/Encore.” Does that kind of thing happen often?

JAY-Z: All the time. It’s good. . . . It’s weird and good.

MITCHELL: I think it has to do with how you fold certain phrases into your lyrics in the way that people talk.

JAY-Z: I think it comes from me trying to tell the story in the most clear, concise, and truthful way—taking those everyday words and phrases and capturing them in a way that they become something else.

The people who write the headlines at places like the New York Post do something similar. They turn these phrases that you know into hooks. Sometimes they’re clever. Sometimes they’re stupid, like TIGER’S TALE. [laughs] Actually, that was pretty clever. Rakim said, “I can take a phrase that’s rarely heard/Flip it/Now it’s a daily word” [from “Follow the Leader,” off Eric B. & Rakim’s 1988 album Follow the Leader]. That’s what I’m talking about.

MITCHELL: You’ve always had a really good ear for things like that in your music, but one of your real gifts is that you can hear those sorts of things in other people’s music, too—like The Notorious B.I.G. or the Neptunes or Kanye West. That’s part of what makes you a great collaborator.

JAY-Z: I just really love the music. Everyone who makes music is a good collaborator at their foundation because in order to make music, you have to connect to it in a way that other people can’t. Other things can get in the way, whether it’s the boxes that people put themselves in, or the feelings they might have towards a person. But those things don’t get in the way for me. To me, there shouldn’t be any lines. All these ways we classify things as R&B and hip-hop and rock . . . It’s bullshit. It’s all music. If you put yourself in that box, then you won’t be able to hear that it’s all music at its soul. When people say stuff like, “Oh, that’s soft rock. I don’t listen to that,” I find that elitist. It’s music-racist. [laughs]

Read the excerpts of the full interview and see Interview Jay-Z feature photos here:
Interview Magazine - Jay-Z