Jay-Z: Las Vegas The Pearl At The Palms BP3 Close Out Concert Review

Jay-Z Las Vegas, NV The Pearl At The Palms concert closes out the 2nd leg of the BP3 Tour.

As reported by Jason Bracelin / Las Vegas Review-Journal

He fancies himself hip-hop's pre-eminent huckster, three-card monte personified, a used car salesman with beats instead of beaters.

"I sell ice in the winter, I sell fire in hell," Jay-Z informed a sold-out Pearl at the Palms on Saturday night (Saturday, March 27). "I am a hustler, baby, I'll sell water to a well."

The song was "U Don't Know," a shout-along banger with shotgun-blast percussion where the emcee in question testifies to his marketing prowess, which lies somewhere between the calculating number crunching of a one-man ad agency and the smooth-talking savvy of a street urchin with a bunch of gold watches for sale inside his trenchcoat.

"Put me anywhere of God's green Earth, I'll triple my worth," he announced matter-of-factly, with little aplomb.

"I. Will. Not. Lose," he continued, each utterance doubling as its own declarative sentence.

And true to his words, Jay-Z is a master salesman, saving his best work for his toughest charge: himself.

Hip-hop, like professional sports, is an unforgiving vocation: Rhymers age like dogs, one year may as well be seven.

Just look at 50 Cent's shelf-life: Dairy products tend to last longer. It's the rare rapper who can continually reinvent himself and even unimpeachable greats like Nas, the Wu-Tang Clan, Ice Cube, Snoop Dogg and dozens of others eventually seem to lose a measure of their vitality, not to mention their commercial luster.

In rock 'n' roll, nostalgia is often embraced and celebrated, as cherished as some ragged old concert T-shirt that reminds its wearers of their youth.

But in hip-hop, the past is mostly significant only as a prelude to the present. You don't see pioneering veteran acts such as Run-DMC or Public Enemy still packing arenas the way that, say, even the Journeys of the world do.

And this is one of hip-hop's best attributes and greatest strengths.

Nevertheless, Jay-Z's been consistently topping the charts for almost 15 years now, throwing off rap's evolutionary bell curve like maybe only Tupac Shakur or Biggie Smalls might have done had they lived long enough to attempt as much.

He's done it all by never putting on any airs about himself as he's gone from small-scale drug dealer –– at least that's how he tells it –– to big-time record seller and entrepreneur with his own clothing line and sneaker endorsements.

For a lot of rappers, "keeping it real" means continually revisiting the street-level exploits that form the preface to many of their careers.

For Jay-Z, it just means being forthcoming about where he's at in his life at a given moment, and so he doesn't try to relate to his audience so much as give them a behind-the-curtains peek at his own celebrity.

Hence, his latter-day catalog is a bit like the "Robb Report" set to a beat.

"If you grew up with holes in your zapatos, you'd celebrate the minute you was having dough," he explained during the chest-pounding bravado of "99 Problems," a line that encapsulates much of Jay-Z's recent repertoire.

That song segued into "Show Me What You Got," a pop trifle that was the inverse of the tune that preceded it, with images of yachts and girls in bikinis flashing across the video screens at the back of the stage.

It's this balance of grit and glamour, skewed to the latter nowadays, that forms the basis of Jay-Z's appeal.

On the mic, he's an incredible technician, swinging between a cool nonchalance and an overheated spray of boasts.

"I'm so far ahead of my time, I'm 'bout to start another life. Look behind you, I'm 'bout to pass you twice," he rhymed acapella during "Hovi Baby," his 10-piece backing group momentarily silenced as his words packed just as much thunder as his band's substantial percussive might.

A cool, cocksure presence, Jay-Z donned a smile as wide as his vocabulary through it all, commanding the stage with a loose-shouldered, easygoing gait, bouncing on the back of his heels the way some prizefighters do just before springing into action.

He fired off his songs one right after the other with barely a pause. Perhaps the show's only dull moment over close to two hours was when Jay-Z ceded the stage for a brief interlude by run-of-the-mill gangsta Young Jeezy, who possesses abundant energy, but little else.

And then the man of the night ambled back on stage.

This was the last stop of his "Blueprint 3 Tour," and he ended his set by drinking champagne with his tourmates and pointing out crowd members individually by what they were wearing and thanking them for showing up.

A multimillionaire superstar, Jay-Z's no longer a man of the people, but for a night at least, he seemed happy enough to be among them. He took off his shades, doffed his hat, and stopped selling himself just long enough to be himself.

Show photo links:
Corbis Images
Wire Image

After party photo links:
Wire Image - Jay-Z
Wire Image - Trey Songz

Jay-Z concert appearances are as follows:

Coachella Valley Music & Arts Festival appearance.
Apr 16 Indio, CA - Empire Polo Club

Jay-Z European Tour Dates:

Jun 4 Rock am Ring, Germany
Jun 5 Rock im Park, Germany
Jun 6 Paris Bercy, France
Jun 7 Manchester, UK - Manchester Evening News Arena
Jun 9 Birmingham, UK - LG Arena
Jun 11 Isle of Wright, UK - Seaclose Park
Jul 2 Eurockeennes Belfort, France
Jul 4 London, UK - Hyde Park - Wireless Festival
Jul 9 Oxygen, Ireland
Jul 10 Frauenfeld, Switzerland - Openair Frauenfeld
Jul 11 T in the Park, Scotland

50 Cent: More New Year's Eve Video Coverage In Las Vegas, NV

Related:
50 Cent New Year's Eve At PURE Nightclub Las Vegas On The Red Carpet

The Roots: Drum Offs, Broken Sun Glasses & Tantrums Live In Reno, NV

via Metromix Reno

The first big show at the Knitting Factory (Friday January 1, 2010) seemed for a while ready to end abruptly, as the Root's MC Black Thought expressed anger at his monitor mix, ear buds and a broken pair of sunglasses.

Black Thought wore said sunglasses when he took the stage, giving some credibility to people I had mocked for wearing shades indoors at the venue. Early on, his headphones refused to stay in, leading to a few pairs being hurled angrily to the ground. In between songs, f-word-laced orders to the sound guys sought a mix where he could hear his own vocals — a reasonable request to be sure, but it painted a discordant picture.

Then, after a raucous number where guitarist, sousaphonist and bassist all jumped around the stage, Black Thought discovered his $500 pair of sunglasses (set down next to the drum kit) had been smashed. He angrily confronted his own band members about who had done this, seeming to direct much of his accusing fury at guitarist "Captain" Kirk Douglas. He made it very clear he was "not f---ing playing," and this apparently was the second night in a row that he'd lost a pair.

It seemed very possible when he left the stage during the drums duet that things might end early. But then there was this kid. When Black Thought came back out, gamely delivering as he had all night, he started to laugh.

He said he was trying hard to stay upset, but a young boy in the front row, who looked about 6, kept putting him in a better mood.

And so there was a happy ending for all: The band went on to play two quality hours and that kid got to be on stage, dance like a maniac and receive rapturous applause. Questlove agreed with Black Thought that this was the craziest show they had done — and for the Roots, that'd certainly be saying something.

As reported by Victor Calderon at the Reno Gazette-Journal

The Roots entertained a packed house Friday in the grand opening of the brand-new Knitting Factory in downtown Reno.

They began their two-hour set with "Thought at Work," their latest single "How I Got Over" and "Here I Come," the theme for "Late Night." Every song showcased the rapid-fire flow of rapper Tariq "Black Thought" Trotter.



At one point, a drum-off ensued between bandleader Ahmir "Questlove" Thompson and another drummer (Knuckles) on stage. Also given solos during the show were guitarist Kirk "Captain Kirk" Douglas, bassist Owen Biddle and sousaphone player Damon "Tuba Gooding Jr." Bryson.

Towards the end of the set, The Roots performed their breakthrough single "You Got Me," originally released with vocals by R&B singer Erykah Badu and rapper Eve.

The Roots also squeezed in covers of "Sweet Child of Mine" by Guns N' Roses and "Jungle Boogie" by Kool & The Gang.

The Roots crew wrapped up the show with an encore where they invited a young fan wearing a Golden State Warriors basketball jersey on the stage where he danced and jumped around much to the band's and the crowd's delight.

The Roots set list:

"Thought at Work"
"How I Got Over"
"Here I Come"
"Game Theory"
"Star"
"Respond/React"
"Proceed"
"Quills"
"The Realm"
"Mellow My Man"
"Criminal"
"You Got Me"
"Get Busy"
"Next Movement"
(Encore)
"Seed"
"Men at Work"

(video courtesy of 333lorelei)

Tech N9ne Performance In Reno, NV On The K.O.D. Tour

Fan shot footage below.







Tech N9ne's K.O.D. Tour is currently underway. Seen here, Tech N9ne performed at the New Oasis in Reno, NV Wednesday, October 21.

10.25 - Rialto - Tucson, AZ
10.26 - Marquee Theatre - Tempe, AZ
10.28 - Sunshine Theatre - Albuquerque, NM
10.29 - Aggie - Fort Collins, CO
10.30 - Fillmore - Denver, CO
10.31 - Cotillion Ballroom - Wichita, KS
11.01 - Cains - Tulsa, OK
11.04 - Austin Music Hall - Austin, TX
11.05 - The Village - Little Rock, AR
11.06 - Pops - St. Louis, IL
11.07 - Liquor Sweets, Milwaukee, WI
11.08 - Peabody's - Cleveland, OH
11.09 - Water Street Music Hall - Rochester, NY
11.10 - Palladium - Worcester, MA
11.11 - Webster Theatre - Hartford, CT
11.12 - Nor Va - Norfolk, VA
11.13 - Hammerstein Ballroom - New York City, NY
11.16 - State Theatre - St. Petersburg, FL
11.17 - Club Firestone - Orlando, FL
11.18 - Touch Nightclub - Jackson, MS
11.20 - Allen Event Center - Allen, TX
11.21 - Independence Event Center - Independence, MO

Tech N9ne - 'K.O.D.' on Strange Music in stores October 27.

(video courtesy of Anchellic)