Young Jeezy and DJ Drama take an opportunity to relax and enjoy the long Memorial Day Weekend in every rapper's favorite play vacation spot Miami. The boys relax with a pool party and why not? New CTE representative, Freddie Gibbs on hand as well.
Young Jeezy headed up to Detroit's Chene Park (Friday, July 30) to test the live waters as a headlining artist. Jay-Z BP3 Tour run was the last time Jeezy came thru Detroit in March of this year. Welcome back!
He fancies himself hip-hop's pre-eminent huckster, three-card monte personified, a used car salesman with beats instead of beaters.
"I sell ice in the winter, I sell fire in hell," Jay-Z informed a sold-out Pearl at the Palms on Saturday night (Saturday, March 27). "I am a hustler, baby, I'll sell water to a well."
The song was "U Don't Know," a shout-along banger with shotgun-blast percussion where the emcee in question testifies to his marketing prowess, which lies somewhere between the calculating number crunching of a one-man ad agency and the smooth-talking savvy of a street urchin with a bunch of gold watches for sale inside his trenchcoat.
"Put me anywhere of God's green Earth, I'll triple my worth," he announced matter-of-factly, with little aplomb.
"I. Will. Not. Lose," he continued, each utterance doubling as its own declarative sentence.
And true to his words, Jay-Z is a master salesman, saving his best work for his toughest charge: himself.
Hip-hop, like professional sports, is an unforgiving vocation: Rhymers age like dogs, one year may as well be seven.
Just look at 50 Cent's shelf-life: Dairy products tend to last longer. It's the rare rapper who can continually reinvent himself and even unimpeachable greats like Nas, the Wu-Tang Clan, Ice Cube, Snoop Dogg and dozens of others eventually seem to lose a measure of their vitality, not to mention their commercial luster.
In rock 'n' roll, nostalgia is often embraced and celebrated, as cherished as some ragged old concert T-shirt that reminds its wearers of their youth.
But in hip-hop, the past is mostly significant only as a prelude to the present. You don't see pioneering veteran acts such as Run-DMC or Public Enemy still packing arenas the way that, say, even the Journeys of the world do.
And this is one of hip-hop's best attributes and greatest strengths.
Nevertheless, Jay-Z's been consistently topping the charts for almost 15 years now, throwing off rap's evolutionary bell curve like maybe only Tupac Shakur or Biggie Smalls might have done had they lived long enough to attempt as much.
He's done it all by never putting on any airs about himself as he's gone from small-scale drug dealer –– at least that's how he tells it –– to big-time record seller and entrepreneur with his own clothing line and sneaker endorsements.
For a lot of rappers, "keeping it real" means continually revisiting the street-level exploits that form the preface to many of their careers.
For Jay-Z, it just means being forthcoming about where he's at in his life at a given moment, and so he doesn't try to relate to his audience so much as give them a behind-the-curtains peek at his own celebrity.
Hence, his latter-day catalog is a bit like the "Robb Report" set to a beat.
"If you grew up with holes in your zapatos, you'd celebrate the minute you was having dough," he explained during the chest-pounding bravado of "99 Problems," a line that encapsulates much of Jay-Z's recent repertoire.
That song segued into "Show Me What You Got," a pop trifle that was the inverse of the tune that preceded it, with images of yachts and girls in bikinis flashing across the video screens at the back of the stage.
It's this balance of grit and glamour, skewed to the latter nowadays, that forms the basis of Jay-Z's appeal.
On the mic, he's an incredible technician, swinging between a cool nonchalance and an overheated spray of boasts.
"I'm so far ahead of my time, I'm 'bout to start another life. Look behind you, I'm 'bout to pass you twice," he rhymed acapella during "Hovi Baby," his 10-piece backing group momentarily silenced as his words packed just as much thunder as his band's substantial percussive might.
A cool, cocksure presence, Jay-Z donned a smile as wide as his vocabulary through it all, commanding the stage with a loose-shouldered, easygoing gait, bouncing on the back of his heels the way some prizefighters do just before springing into action.
He fired off his songs one right after the other with barely a pause. Perhaps the show's only dull moment over close to two hours was when Jay-Z ceded the stage for a brief interlude by run-of-the-mill gangsta Young Jeezy, who possesses abundant energy, but little else.
And then the man of the night ambled back on stage.
This was the last stop of his "Blueprint 3 Tour," and he ended his set by drinking champagne with his tourmates and pointing out crowd members individually by what they were wearing and thanking them for showing up.
A multimillionaire superstar, Jay-Z's no longer a man of the people, but for a night at least, he seemed happy enough to be among them. He took off his shades, doffed his hat, and stopped selling himself just long enough to be himself.
Coachella Valley Music & Arts Festival appearance. Apr 16 Indio, CA - Empire Polo Club
Jay-Z European Tour Dates:
Jun 4 Rock am Ring, Germany Jun 5 Rock im Park, Germany Jun 6 Paris Bercy, France Jun 7 Manchester, UK - Manchester Evening News Arena Jun 9 Birmingham, UK - LG Arena Jun 11 Isle of Wright, UK - Seaclose Park Jul 2 Eurockeennes Belfort, France Jul 4 London, UK - Hyde Park - Wireless Festival Jul 9 Oxygen, Ireland Jul 10 Frauenfeld, Switzerland - Openair Frauenfeld Jul 11 T in the Park, Scotland
During the recording of “The Blueprint 3,” Jay-Z’s latest chart-topping full-length, the Brooklyn-born rapper gleaned something from frequent collaborator Kanye West: how to transform album tracks into arena-sized epics. In front of a sold-out Staples Center crowd on Friday night (Friday, March 26) and backed by a 10-piece-band -- a three-member horn section, two guitarists, keyboardists and two drummers, along with backup emcee Memphis Bleek – the lyricist born Shawn Carter proved he could deliver a similar punch in a live setting. Drawing maximum response from the audience, he playfully asked them to throw their diamonds in the sky and repeatedly thanked them for their support. He even sang “Happy Birthday” to a fan holding a “Birthday Girl” sign.
Jay-Z, the hustler turned rapper turned brand name as big as the borough itself, owned the sold-out Staples Center. “This is Sinatra at the opera, bring a blond,” he rapped on “D.O.A. (Death of Auto-Tune).” And if the spectacle wasn’t exactly Wagner’s “Ring Cycle,” at times it felt like an egalitarian equivalent. A wide demographic mix of the infamously fractionalized Los Angeles was drawn to the 40-year-old rapper who has almost single-handedly spawned the genre “classic rap.”
Many arrived dressed for a Friday night, as though they were gunning for a cameo on “Entourage.” Models clutching Gucci handbags stood among tabloid fodder, Chris Rock, Christina Aguilera, actors in Affliction tees tailed by Barbie blonds and B-boys in baggy pants. A duo donned outfits honoring the 15th anniversary of N.W.A. founder Eazy-E’s death (Compton caps and Eazy T-shirts) -- a milestone Jay-Z neglected to mention when he shouted out, “R.I.P. 2Pac, the Notorious B.I.G., Big Pun, Big L and Pimp C,” following an electrifying a capella denouement to “Big Pimpin’.”
“I can sell ice in the winter, I can sell fire in hell. I’m a hustler.”
Although he has boasted of his entrepreneurial beginnings on the street earning seed money by “flipping a record company from a half a [kilo],” Jay-Z’s renegade independent days are in the past. “I used to duck shots/but now I eat quail/I’ll probably never see jail,” he raps on "Real as It Gets." He’s the mega-star who two years ago inked a reported $150-million partnership with Live Nation Entertainment to advance his Jay-Z brand.
It’s a business that strives to be as ubiquitous as Coca-Cola or Nike. Before the show, big screens solicited the audience to “text BP3” and join the “Jay-Z movement.” Outside along L.A. Live's shrill fluorescent walkways, people signed up to win merchandise made by one of his companies, Roc Nation.
Dovetailing with his corporate successes as the former chief executive of Def Jam Recordings is Jay-Z’s consummate professionalism. One can scoff at the disconnect between his hood tales and his current stature, but there’s no denying his style, or his hits, as impressive a body of work as any rapper ever. From “Ain’t No” to “Hard Knock Life (Ghetto Anthem),” “I Just Wanna’ Love U (Give it 2 Me)” to “Empire State of Mind,” Jay-Z can fill a two-hour set with a keen, razor-sharp lyrical catalog memorized by 20,000 people. And that’s what he did, with his band teasing out the arrangements out to fulfill Carter’s orchestral, “Avatar” sized aspirations.
“I’m on to the Next One.”
Friday’s show presented the latest incarnation of Jay-Z. If his recent work hasn’t been as critically or commercially successful as his early output, it has been his grandest in scope. Other rappers have played Staples, but none with Jay-Z’s worldwide stature. Many have achieved mass appeal, but none have sustained it as long. He eggs the adoring crowd on, “I have 11 No. 1 albums.” But everyone already knows this, which is why they forked over half-a-week’s paycheck for tickets.
His only real misstep of the night was ceding the stage to Young Jeezy for a 30-minute interlude. The Atlanta emcee gamely attempted to fill the void, but in the process illustrated how difficult it is to command such a large crowd. Thankfully, a brief Ice Cube cameo to perform “Check Yo’ Self” appeased the restless.
“I’m from where the hammer’s rung, where the news cameras never come…where the grams is slung.”
The evening’s most poignant moment, a rare respite from the avalanche of explosive lights and flashing LED screens, arrived when Jay-Z delved into his back catalog, performing “Can I Live” and “Where I’m From.” The two tracks served as a reminder that despite his evolution, here was the same Jay-Z who won over first the doubters and then the masses since the summer of ’96. But as great as the original version was, it never could have sold out the Staples Center, or validated the words of “Encore,” the final song of the night, with the line, “I came, I saw, I conquered, from record sales, to sold out concerts.”
Coachella Valley Music & Arts Festival appearance: Apr 16 Indio, CA - Empire Polo Club
Jay-Z European Tour Dates:
Jun 4 Rock am Ring, Germany Jun 5 Rock im Park, Germany Jun 6 Paris Bercy, France Jun 7 Manchester, UK - Manchester Evening News Arena Jun 9 Birmingham, UK - LG Arena Jun 11 Isle of Wright, UK - Seaclose Park Jul 2 Eurockeennes Belfort, France Jul 4 London, UK - Hyde Park - Wireless Festival Jul 9 Oxygen, Ireland Jul 10 Frauenfeld, Switzerland - Openair Frauenfeld Jul 11 T in the Park, Scotland
From last night's (Friday, March 26) BP3 tour stop at the Staples Center in Los Angeles, CA, Jeezy performs "Check Yo Self" with surprise guest Ice Cube .
One song into his set Wednesday night (March 24), Jay-Z was already flashing that killer smile.
"I like how this is going," he beamed to the capacity crowd at HP Pavilion in San Jose. "We're going to take this all the way to the top." And he proceeded to do just that, moving from the solid opener "Run This Town" to the even-better "On to the Next One," both of which hail from last year's album "The Blueprint 3."
As for getting to the top, let's just say Jay-Z has been there so many times it's probably where he gets his mail delivered.
With each passing year, Jay-Z gives us new reasons to call him king. He's sold some 40 million records worldwide, won 10 Grammy Awards and is part owner of the New Jersey Nets (hey, some day that might seem like a good idea). He owns the popular clothing line Rocawear, is worth a half-billion dollars and is married to Beyonce, one of the world's most popular and beautiful entertainers.
"The Blueprint 3" became his 11th No. 1 album, setting a record for most chart-topping platters for a solo artist (topping the King of Rock, Elvis Presley).
One thing he's never been able to claim, however, is the distinction of being a consistently great concert artist. Bay Area fans have seen Jay-Z turn in many mediocre performances over the years, but he was downright brilliant during his previous local visit, a co-headlining tour with Mary J. Blige at Oracle Arena roughly two years ago.
Jay-Z wasn't nearly as focused or as entertaining on Wednesday, but still turned in a pretty enjoyable show.
Following a set by overrated R&B crooner Trey Songz, Jay-Z cut a dramatic entrance as he was lifted by a platform through the stage floor. As his 10-member band, complete with a three-piece horn section, snapped into action, Jay-Z started dropping the difficult tongue-twisters everyone in the house seemed to know by heart.
He performed in front of a sleek, uncluttered stage design, which consisted mainly of a video backdrop cut to look like the Manhattan skyline. The live band paid big dividends early and often, propelling the beats with two percussionists and flexing its horn-section muscle on "D.O.A. (Death of Auto-Tune)." Jay-Z's marginally talented sidekick Memphis Bleek — aka,"the Ringo Starr of rap" — joined him on vocals on several numbers, including crowd favorites "U Don't Know" and "99 Problems."
Right as things were rolling along smashingly, Young Jeezy arrived, a la Jay-Z, riding the elevator up through the stage floor. That was really an amazing feat of hydraulics, given the amount of heavy metal Jeezy wore around his neck. The headliner then departed to let Jeezy do his own set.
Talk about throwing a monkey wrench into the gears — going from Jay-Z's incomparable flow to Jeezy's rough ride is, to say the least, jolting. Jeezy used part of his time to tell us how important it is to proudly represent our hometowns. "I put on for my city," sang the Georgia rapper wearing a Chicago White Sox hat.
Jay-Z returned to perform a few really meaty tunes, including "My President is Black" and "Dirt Off Your Shoulder," then announced that the main set was done. The problem was, Jay-Z himself had only been onstage for about an hour. He then sent the show into what he dubbed "overtime" and performed another half-hour of music, none of which was memorable. He clearly had no game plan drawn up for OT.
Still, Jay-Z can get away with a lot simply through his charisma. Plus, it doesn't hurt when the crowd fawns at your every move.
Mar 26 Los Angeles, CA - Staples Center Mar 27 Las Vegas, NV - The Pearl
Coachella Valley Music & Arts Festival appearance: Apr 16 Indio, CA - Empire Polo Club
Jay-Z European Tour Dates:
Jun 4 Rock am Ring, Germany Jun 5 Rock im Park, Germany Jun 6 Paris Bercy, France Jun 7 Manchester, UK - Manchester Evening News Arena Jun 9 Birmingham, UK - LG Arena Jun 11 Isle of Wright, UK - Seaclose Park Jul 2 Eurockeennes Belfort, France Jul 4 London, UK - Hyde Park - Wireless Festival Jul 9 Oxygen, Ireland Jul 10 Frauenfeld, Switzerland - Openair Frauenfeld Jul 11 T in the Park, Scotland
Mar 14 Detroit, MI - The Palace of Auburn Hills Mar 16 Pittsburgh, PA - Mellon Arena Mar 18 Chicago, IL - United Center Mar 19 St. Louis, MO - Scottrade Center Mar 20 Indianapolis, IN - Conseco Fieldhouse Mar 22 Denver, CO - Pepsi Center Mar 24 San Jose, CA - HP Pavilion Mar 26 Los Angeles, CA - Staples Center
This IndustryMuscle interview with no other than " Mr. I'm So Icey (Gucci Mane) " Papers" (Usher) " Make the Trap say Aye" (OJ Da Juiceman) Producer of the Year Zaytoven. We chop it up about his new superstar status and where he got his start. He also tells all the new artist seeking a deal or his production his direct email. How is that for getting right to the people.
Rapper Jay-Z hosted an after-party at his famous 40/40 club in New York City following his sold out concert in Madison Square Garden on Tuesday March 2nd. His wife Beyonce was there, and so was Michelle Williams, Lebron James, Drake, BETs Stephen Hill and his tour-mate Young Jeezy.
Shots were fired, though no one was hit, during an altercation between groups affiliated with local rappers Gucci Mane and Young Jeezy that closed Walter's Clothing in downtown Atlanta for about 30 minutes.
The fight started around 4 p.m. Thursday (March 4) when Mane's group walked into the store -- popular with celebrities -- and spotted Jeezy's associates, said witness Patrick Morrison.
"There was a physical altercation inside the location between several men," Atlanta police spokesman James Polite confirmed to the AJC. One of the men produced a weapon "and as a result a private armed security guard of a local entertainer discharged his weapon."
Polite said the security guard, employed by local rapper Waka Flocka Flame, has been detained.
The fighting was intense, witnesses said. "They just started going at it," said Morrison, a Walter's employee.
Waka Flocka Flame, aka Juaqin Malphurs, is a member of Gucci Mane's 1017 Brick Squad. His pseudonym alludes to the sound of cocking a semi-automatic pistol.
"Whoever he is he's got a big swollen eye now," Morrison said.
In January, Malphurs was shot in the arm while washing his car on Old National Highway. Police said he was approached at the Bubble Bath car wash by armed men demanding his jewelry.
Meanwhile, Gucci Mane, aka Radric Davis, is serving time at the Fulton County jail for a probation violation. He is set to be released in May.
His dispute with Young Jeezy, aka Jay Jenkins, dates back to 2005, according to Allhiphop.com. Their feud supposedly ended last December during an appearance on DJ Drama's Gangsta Grillz show on Hot 107.9
DJ Drama, aka Tyree Cinque Simmons, who recorded several mixtapes with Young Jeezy, became involved in the feud when he decided to record with Gucci Mane in 2008, the site reports.
Here's what another major press outlet, New York Post said about Jay-Z triumphant return to NYC on his BP3 2010 concert tour:
Through the entire concert, Jay paced the stage like an unleashed tiger, while images that illustrated his music flashed overhead on the mock skyscrapers.
The video graphic work during this show was so good, had Z not given as dynamic a performance as he did, he might have been upstaged by his own visuals.
He wasn't.
In fact, his presence conjured the same kind of concert excitement and pure devotion that Sinatra managed to extract form his fans years ago and that Springsteen draws from his army today. As sacrilegious as it may seem, with everyone in Madison Square Garden raising their arms and pressing their hands together to make a diamond shape to praise Jay-Z, it's as if the audience was experiencing the second coming.
In New York, the rapper's hometown, Jay couldn't do any wrong. The early peak was when he belted "Empire State of Mind," which made the house churn.
And lots to be said about Lil Wayne's guest spot at the Garden:
With a courthouse fire giving Lil Wayne at least another day’s reprieve before going to jail on gun charges, Weezy enjoyed his surprise freedom by making what will likely be his last pre-incarceration live appearance at Jay-Z’s Blueprint 3 tour stop in New York City last night. After Jay-Z handed the mike over to his tourmate Young Jeezy about 45 minutes into his set, Jeezy informed the crowd of Weezy’s unexpected situation and brought out Wayne’s Young Money teammate Nikki Minaj, dedicating “Bedrock” to Tha Carter III rapper.
Mar 03 Washington, DC - Verizon Center Mar 05 Uncasville, CT - Mohegan Sun Mar 06 East Rutherford, NJ - Izod Center Mar 07 Norfolk, VA - Scope Arena Mar 11 Boston, MA - TD Garden Mar 12 Uniondale, NY - Nassau Coliseum Mar 14 Detroit, MI - The Palace of Auburn Hills Mar 16 Pittsburgh, PA - Mellon Arena Mar 18 Chicago, IL - United Center Mar 19 St. Louis, MO - Scottrade Center Mar 20 Indianapolis, IN - Conseco Fieldhouse Mar 22 Denver, CO - Pepsi Center Mar 24 San Jose, CA - HP Pavilion Mar 26 Los Angeles, CA - Staples Center
NEW YORK — There is always palpable exhilaration whenever Jay-Z plays Madison Square Garden. Tuesday night (March 2) was another sold-out show at MSG as Hov's Blueprint 3 Tour arrived in town.
After Trey Songz played up to the ladies with his set, there was a short intermission. Like lightning -- boom! The Beastie Boys' "No Sleep Till Brooklyn" video began playing on two big screens that hung over the stage, and a 10-minute countdown began perfectly in sync with the classic hip-hop track. Hova chants started several minutes prior to that.
Finally, with no time left on the clock, Jay's music began. He was greeted with a deafening roar of approval. "Feel it coming in the air," Rihanna's recorded voice from "Run This Town" blasted through the arena.
Jay rose from underneath the stage, rolling his head around his shoulders like a young Mike Tyson getting ready for a prize fight. Jay, like Tyson in the '80s, knows he's a dominant force in any ring, any arena, but especially at the Garden, he's unstoppable.
Jay then brought out Memphis Bleek and told his former neighbor in the Marcy Projects he wanted him to see something special. Like a wizard, Jigga waved his hand around the arena and made fans scream.
"I wanna be careful how I phrase this, because it's one of my heroes," Jay said. "Madison Square Garden used to be Run's House. But 'Run's House' is now on MTV. Madison Square Garden is now 'The House That Hov Built.' "
His assertion was backed up with triumphant showings of "On to the Next One," "U Don't Know," "99 Problems" and "Show Me What You Got."
"Empire State of Mind" felt special in the Garden. Jay's performance of the record filled the arena with hometown pride. It's the closest feeling the crowd at the Garden will get to the Knicks winning the championship ... at least until LeBron James signs with the team next year (fingers crossed).
James was in attendance, along with his Cleveland Cavaliers teammate Shaquille O'Neal, Rick Ross, Gwyneth Paltrow, Diddy and Cash Money Records CEO the Birdman. Birdman was on hand to cheer on his "son" Lil Wayne. Wayne, Drake, and Nicki Minaj had the show-stealing moment as part of Young Jeezy's set. The Snowman also brought out Akon.
Jeezy came out about 40 minutes into Jay's show, and the two did "Real as It Gets" from Blueprint 3. After handing Jeezy the keys to MSG for a while, Jay came back and traded rhymes with his Southern partner on the remixes of "Put On" and "My President." Trey Songz came out with Jay as well to help out on "Heart of the City" and "Already Home."
The Blueprint 3 Tour stopped with an "overtime" session that saw Jay take his fans back as far as the Reasonable Doubt days with "Ain't No N---a" and "Can I Live."
"Am I going too far back? This moment is only for us," he added of himself and fans of his first LP.
Hov then brought it up a few years for "Big Pimpin'," with Jay urging everyone to wave whatever they had from rags to bandanas to hats in the air, Carnivale-style.
"I don't take it for granted," Jay said of the fan love. "I appreciate everyone in the building tonight. Thank you, and I hope we return the love tenfold.
The legendary MC then asked to do one more record: "Encore."
Hov is going to be in the Tri-State Area with a few shows during these next two weeks. He plays Atlantic City's Borgata Hotel as well as the Nassau Coliseum in Long Island next week.
Mar 03 Washington, DC - Verizon Center Mar 05 Uncasville, CT - Mohegan Sun Mar 06 East Rutherford, NJ - Izod Center Mar 07 Norfolk, VA - Scope Arena Mar 11 Boston, MA - TD Garden Mar 12 Uniondale, NY - Nassau Coliseum Mar 14 Detroit, MI - The Palace of Auburn Hills Mar 16 Pittsburgh, PA - Mellon Arena Mar 18 Chicago, IL - United Center Mar 19 St. Louis, MO - Scottrade Center Mar 20 Indianapolis, IN - Conseco Fieldhouse Mar 22 Denver, CO - Pepsi Center Mar 24 San Jose, CA - HP Pavilion Mar 26 Los Angeles, CA - Staples Center
Since Trey Songz and Young Jeezy decided to join Jay-Z on his BP3 tour, the trio has been hanging around with one another more often.
With rumors circulating, there has been speculation that the three were planning to form their own group, known as the Mob Squad.
Following Songz speaking on the chemistry that they have while they perform together, fusing the street feel of Jeezy, the R&B sound of Trey and the mainstream appeal of Jay, there is now word going around that a record will be coming.
During an interview with Greg Street on V-103 Atlanta, Jay decided to break the news of what's to come and that the wheel has already started turning.
Yeah, the Mob Squad, I'm trying to put that together. Trey made a song, I'm just trying to refine the hook so we can get our first song out there. I don't know if Jeezy heard it yet so I'm probably gonna surprise him with this but we got [it.] Mob Squad.
Without mention of a release or the concept, the pure idea is something that could light the music world on fire as each member has control over their particular market.
After putin on for his city and bringing out Plies at the show we headed over to Compound for after party (with Trey Songz). The party had the streets grid locked as traffic was backed up all they way to the highway If its one thing for certain Young brings em out. TM-103 is on the way.
Plies shows up for a rap duet of sorts during Young Jeezy's set performing "Lose My Mind" around the 5:45 mark in the above fan shot video taken at Philips Arena Saturday, February 27.
Feb 28 Greensboro, NC - Greensboro Coliseum Complex Mar 02 New York, NY - Madison Square Garden Mar 03 Washington, DC - Verizon Center Mar 05 Uncasville, CT - Mohegan Sun Mar 06 East Rutherford, NJ - Izod Center Mar 07 Norfolk, VA - Scope Arena Mar 11 Boston, MA - TD Garden Mar 12 Uniondale, NY - Nassau Coliseum Mar 14 Detroit, MI - The Palace of Auburn Hills Mar 16 Pittsburgh, PA - Mellon Arena Mar 18 Chicago, IL - United Center Mar 19 St. Louis, MO - Scottrade Center Mar 20 Indianapolis, IN - Conseco Fieldhouse Mar 22 Denver, CO - Pepsi Center Mar 24 San Jose, CA - HP Pavilion Mar 26 Los Angeles, CA - Staples Center